Diferencia entre revisiones de «Recursos externos»
Ir a la navegación
Ir a la búsqueda
| Línea 1: | Línea 1: | ||
=Webs= | =Webs= | ||
*[https://essaysonmusic.com/category/schemata Essays on music: Schemata] | *[https://essaysonmusic.com/category/schemata ''Essays on music: Schemata''] | ||
*https://partimenti.org | *https://partimenti.org | ||
*[https://viva.pressbooks.pub/openmusictheory/chapter/intro-to-pop-schemas/ Introduction to harmonic schemas in pop music] | *[https://viva.pressbooks.pub/openmusictheory/chapter/intro-to-pop-schemas/ ''Introduction to harmonic schemas in pop music''] | ||
=Publicaciones= | =Publicaciones= | ||
==Artículos== | ==Artículos== | ||
*[https://mtosmt.org/issues/mto.15.21.2/mto.15.21.2.gjerdingen_bourne.html Bourne, Janet & Gjerdingen, Robert. Language and Music Share Domain-General Cognitive Functions] | *[https://mtosmt.org/issues/mto.15.21.2/mto.15.21.2.gjerdingen_bourne.html <strong>Bourne, Janet</strong> & <strong>Gjerdingen, Robert</strong>. ''Language and Music Share Domain-General Cognitive Functions''] | ||
*[https://www.academia.edu/36154658/Mozarts_Vintage_Corelli_The_Microstory_of_a_Fonte_Romanesca Byros, Vasili. Mozart's Vintage Corelli: The Microstory of a Fonte-Romanesca] | *[https://www.academia.edu/36154658/Mozarts_Vintage_Corelli_The_Microstory_of_a_Fonte_Romanesca <strong>Byros, Vasili</strong>. ''Mozart's Vintage Corelli: The Microstory of a Fonte-Romanesca''] | ||
*[https://www.cambridge.org/core/journals/eighteenth-century-music/article/yet-another-galant-schema-the-dominant-pedal-accompanied-by-a-chromatic-descent/8F9F49F2BDEC988CF6E0C246D90982D8#article Demeyere, Ewald. Yet Another Galant Schema: The Dominant Pedal Accompanied by a Chromatic Descent] | *[https://www.cambridge.org/core/journals/eighteenth-century-music/article/yet-another-galant-schema-the-dominant-pedal-accompanied-by-a-chromatic-descent/8F9F49F2BDEC988CF6E0C246D90982D8#article <strong>Demeyere, Ewald</strong>. ''Yet Another Galant Schema: The Dominant Pedal Accompanied by a Chromatic Descent''] | ||
*[https://www.academia.edu/53427968/Gebrauchs_Formulas Gjerdingen, Robert O., Gebrauchs-Formulas] | *[https://www.academia.edu/53427968/Gebrauchs_Formulas <strong>Gjerdingen, Robert O.</strong>, ''Gebrauchs-Formulas''] | ||
*[https://www.academia.edu/86914115/MozartsObviouslyCorruptMinuet Gjerdingen, Robert O., Mozart's Obviously Corrupt Minuet] | *[https://www.academia.edu/86914115/MozartsObviouslyCorruptMinuet <strong>Gjerdingen, Robert O.</strong>, ''Mozart's Obviously Corrupt Minuet''] | ||
*[https://academic.oup.com/mts/article/42/2/280/5908009?guestAccessKey=dee58f08-094c-4a80-a468-8a9002767295 Mitchell, Nathaniel. The Volta: A Galant Gesture of Culmination] | [https://www.natethetheorist.com/research/volta Audio de los ejemplos] | *[https://academic.oup.com/mts/article/42/2/280/5908009?guestAccessKey=dee58f08-094c-4a80-a468-8a9002767295 <strong>Mitchell, Nathaniel</strong>. ''The Volta: A Galant Gesture of Culmination''] | [https://www.natethetheorist.com/research/volta Audio de los ejemplos] | ||
*[https://mtosmt.org/issues/mto.15.21.3/mto.15.21.3.rabinovitch.html Rabinovitch, Gilad & Slominski, Johnandrew. Towards a Galant Pedagogy: Partimenti and Schemata as Tools in the Pedagogy of Eighteenth-Century Style Improvisation] | *[https://mtosmt.org/issues/mto.15.21.3/mto.15.21.3.rabinovitch.html <strong>Rabinovitch, Gilad</strong> & <strong>Slominski, Johnandrew</strong>. ''Towards a Galant Pedagogy: Partimenti and Schemata as Tools in the Pedagogy of Eighteenth-Century Style Improvisation''] | ||
*[https://mtosmt.org/issues/mto.24.30.1/mto.24.30.1.rabinovitch_carter-enyi.html Rabinovitch, Gilad & Carter-Enyi, Aaron. Melodic Organization and Sequential Ordering of Galant Schemata: Implications for Eighteenth-Century European Musicianship] | *[https://mtosmt.org/issues/mto.24.30.1/mto.24.30.1.rabinovitch_carter-enyi.html <strong>Rabinovitch, Gilad</strong> & <strong>Carter-Enyi, Aaron</strong>. ''Melodic Organization and Sequential Ordering of Galant Schemata: Implications for Eighteenth-Century European Musicianship''] | ||
*[https://mtosmt.org/issues/mto.20.26.2/mto.20.26.2.rabinovitch.html Rabinovitch, Gilad. Reimagining Historical Improvisation: An Analysis of Robert | *[https://mtosmt.org/issues/mto.20.26.2/mto.20.26.2.rabinovitch.html <strong>Rabinovitch, Gilad</strong>. ''Reimagining Historical Improvisation: An Analysis of <strong>Robert Levin</strong>’s Fantasy on Themes by <strong>W. A. Mozart</strong>, October 29, 2012''] | ||
*[https://www.esm.rochester.edu/integral/36-2023/rabinovitch/ Rabinovitch, Gilad. Reimagining Fauré’s Harmony] | *[https://www.esm.rochester.edu/integral/36-2023/rabinovitch/ <strong>Rabinovitch, Gilad</strong>. ''Reimagining Fauré’s Harmony''] | ||
*[https://www.academia.edu/32429345/Climbing_Monte_Romanesca_Eighteenth_Century_Composers_in_Search_of_the_Sublime Rice, John A., Climbing Monte Romanesca: Eighteenth-Century Composers in Search of the Sublime] | *[https://www.academia.edu/32429345/Climbing_Monte_Romanesca_Eighteenth_Century_Composers_in_Search_of_the_Sublime <strong>Rice, John A.</strong>, ''Climbing Monte Romanesca: Eighteenth-Century Composers in Search of the Sublime''] | ||
*[https://www.academia.edu/24564986/Mozarts_Use_of_Galant_Voice_Leading_Schemata_with_an_analysis_of_the_quartet_from_Idomeneo_Andr%C3%B2_ramingo_e_solo_ Rice, John A., Mozart's Use of Galant Voice-Leading Schemata (with an analysis of the quartet from Idomeneo, "Andrò ramingo e solo")] | *[https://www.academia.edu/24564986/Mozarts_Use_of_Galant_Voice_Leading_Schemata_with_an_analysis_of_the_quartet_from_Idomeneo_Andr%C3%B2_ramingo_e_solo_ <strong>Rice, John A.</strong>, ''Mozart's Use of Galant Voice-Leading Schemata (with an analysis of the quartet from Idomeneo, "Andrò ramingo e solo")''] | ||
*[https://www.academia.edu/37027586/Interactions_between_Topics_and_Schemata_The_Case_of_the_Sacred_Romanesca Sánchez-Kisielewska, Olga. Interactions between Topics and Schemata: The Case of the Sacred Romanesca] | *[https://www.academia.edu/37027586/Interactions_between_Topics_and_Schemata_The_Case_of_the_Sacred_Romanesca <strong>Sánchez-Kisielewska, Olga</strong>. ''Interactions between Topics and Schemata: The Case of the Sacred Romanesca''] | ||
*[https://www.academia.edu/1346470/La_scala_come_modello_di_composizione Sanguinetti, Giorgio. La scala come modello di composizione] | *[https://www.academia.edu/1346470/La_scala_come_modello_di_composizione <strong>Sanguinetti, Giorgio</strong>. ''La scala come modello di composizione''] | ||
==Tesis== | ==Tesis== | ||
*[https://www.teses.usp.br/teses/disponiveis/27/27157/tde-12012023-161938/pt-br.php?fbclid=IwAR2u0oUbV--qPiuUzECy4qm20lW0WMe8prmm-WL4JYOLfiHBfyrn6fib5ww Alegre, Roberto Cornacchioni. Entre notação e improviso: teoria e prática nos partimenti de Giovanni Furno (1750-1837)] | *[https://www.teses.usp.br/teses/disponiveis/27/27157/tde-12012023-161938/pt-br.php?fbclid=IwAR2u0oUbV--qPiuUzECy4qm20lW0WMe8prmm-WL4JYOLfiHBfyrn6fib5ww <strong>Alegre, Roberto Cornacchioni</strong>. ''Entre notação e improviso: teoria e prática nos partimenti de <strong>Giovanni Furno</strong> (1750-1837)''] | ||
*[https://eprints.soton.ac.uk/413462/1/LIBARY_COPY_David_Jayasuriya_PhD_Thesis.pdf?fbclid=IwAR2f-3MkYKrn7CWaUyx8R6HXGStz28Ae4cKmJFUnfjDN4CIHzNI-lLONO74 Jayasuriya, David. Fonte and Monte in the Symphonies of Joseph Haydn] | *[https://eprints.soton.ac.uk/413462/1/LIBARY_COPY_David_Jayasuriya_PhD_Thesis.pdf?fbclid=IwAR2f-3MkYKrn7CWaUyx8R6HXGStz28Ae4cKmJFUnfjDN4CIHzNI-lLONO74 <strong>Jayasuriya, David</strong>. ''Fonte and Monte in the Symphonies of <strong>Joseph Haydn</strong>''] | ||
*[https://uvadoc.uva.es/handle/10324/25272 León Martín, Zoe. Análisis de los schemata de estilo galante en la obra para flauta de los hermanos Pla: estudio de 12 sonatas en trío de Juan Bautista y José Pla] | *[https://uvadoc.uva.es/handle/10324/25272 <strong>León Martín, Zoe</strong>. ''Análisis de los schemata de estilo galante en la obra para flauta de los hermanos <strong>Pla</strong>: estudio de 12 sonatas en trío de <strong>Juan Bautista</strong> y <strong>José Pla</strong>''] | ||
*[https://eprints.soton.ac.uk/471889/1/PhD_Thesis_Alberto_Martin_Entrialgo_Library_Copy.pdf Martín Entrialgo, Alberto. | *[https://eprints.soton.ac.uk/471889/1/PhD_Thesis_Alberto_Martin_Entrialgo_Library_Copy.pdf <strong>Martín Entrialgo, Alberto</strong>. ''Galant Schemata in the Works of <strong>Isaac Albéniz</strong>'' en ''The Persistence of Eighteenth-Century Conventions in the Music of <strong>Isaac Albéniz</strong>'', p. 66] | ||
*[https://researchspace.auckland.ac.nz/handle/2292/37179?fbclid=IwAR0y9fI7VHgGMnzGGTPYHyPJxI2HhmKWUNov7OYjT7c5M-tmVtDrYIvOR6w Weiss, Michael. Theoretical and Analytical Reflections on the Role of Robert O. | *[https://researchspace.auckland.ac.nz/handle/2292/37179?fbclid=IwAR0y9fI7VHgGMnzGGTPYHyPJxI2HhmKWUNov7OYjT7c5M-tmVtDrYIvOR6w <strong>Weiss, Michael</strong>. ''Theoretical and Analytical Reflections on the Role of <strong>Robert O. Gjerdingen</strong>’s Galant Schemata in Nineteenth-Century Composition''] | ||
==Libros== | ==Libros== | ||
*[https://www.academia.edu/11392871/A_Classic_Turn_of_Phrase_Music_and_the_Psychology_of_Convention Gjerdingen, Robert O. A Classic Turn of Phrase: Music and the Psychology of Convention] | [https://archive.org/details/classicturnofphr00gjer Préstamo en Internet Archive] | *[https://www.academia.edu/11392871/A_Classic_Turn_of_Phrase_Music_and_the_Psychology_of_Convention <strong>Gjerdingen, Robert O.</strong> ''A Classic Turn of Phrase: Music and the Psychology of Convention''] | [https://archive.org/details/classicturnofphr00gjer Préstamo en Internet Archive] | ||
*[https://archive.org/details/musicingalantsty0000gjer/page/n5/mode/2up Gjerdingen, Robert O. Music in the Galant Style] | *[https://archive.org/details/musicingalantsty0000gjer/page/n5/mode/2up <strong>Gjerdingen, Robert O.</strong> ''Music in the Galant Style''] | ||
*[https://archive.org/details/omnibusidea0000yell Yellin, Victor Fell.The Omnibus idea] | *[https://archive.org/details/omnibusidea0000yell <strong>Yellin, Victor Fell</strong>. ''The Omnibus idea''] | ||
=Conferencias y presentaciones= | =Conferencias y presentaciones= | ||
*[https://www.youtube.com/watch?v=ii6VtnUVsok Robert Gjerdingen - Building Musical Minds in 18th-Century Naples] | *[https://www.youtube.com/watch?v=ii6VtnUVsok <strong>Robert Gjerdingen</strong> - ''Building Musical Minds in 18th-Century Naples''] | ||
*[https://www.youtube.com/watch?v=KeIkQlA0_M8 Peter van Tour- Gianbattista Martini's | *[https://www.youtube.com/watch?v=KeIkQlA0_M8 <strong>Peter van Tour</strong>- <strong>Gianbattista Martini</strong>'s ''Libro per Accompagnare'': Thoroughbass and Counterpoint in Eighteenth-century Bologna] | ||
*[https://www.youtube.com/watch?v=W3we1KAjlIA Robert Gjerdingen - La musica nello stile galante] | *[https://www.youtube.com/watch?v=W3we1KAjlIA <strong>Robert Gjerdingen</strong> - ''La musica nello stile galante''] | ||
*[https://www.youtube.com/watch?v=n5xoXJOba3A Giorgio Sanguinetti - The Art of Partimento] | *[https://www.youtube.com/watch?v=n5xoXJOba3A <strong>Giorgio Sanguinetti</strong> - ''The Art of Partimento''] | ||
*[https://www.youtube.com/watch?v=HqfNbYFwUx8 Olga Sánchez Kisielewska - ¿Para qué nos sirven los esquemas galantes?] | *[https://www.youtube.com/watch?v=HqfNbYFwUx8 <strong>Olga Sánchez Kisielewska</strong> - ''¿Para qué nos sirven los esquemas galantes?''] | ||
=Vídeos divulgativos= | =Vídeos divulgativos= | ||
*[https://www.youtube.com/watch?v=uhKXhnT9NJs Early Music Sources - The Rule of the Octave] | *[https://www.youtube.com/watch?v=uhKXhnT9NJs ''Early Music Sources - The Rule of the Octave''] | ||
*[https://www.youtube.com/watch?v=KxAqEvW8pi En blanc et noir - Baroque Improvisation: The Circle of Fifths Revisited] | *[https://www.youtube.com/watch?v=KxAqEvW8pi ''En blanc et noir - Baroque Improvisation: The Circle of Fifths Revisited''] | ||
*[https://www.youtube.com/watch?v=Nq1WCblU_rg En blanc et noir - A Most Loved Baroque Sequence: The Romanesca... and András Schiff getting into trouble] | *[https://www.youtube.com/watch?v=Nq1WCblU_rg ''En blanc et noir - A Most Loved Baroque Sequence: The Romanesca...'' and <strong>András Schiff</strong> getting into trouble] | ||
*[https://www.youtube.com/@settecentista8469 Settecentista - Canal con recopilaciones de esquemas y ejemplos comentados, por John A. Rice] | *[https://www.youtube.com/@settecentista8469 ''Settecentista'' - Canal con recopilaciones de esquemas y ejemplos comentados, por <strong>John A. Rice</strong>] | ||
*[https://www.youtube.com/@NikhilHoganShow Nikhil Hogan Show - Canal de entrevistas con destacados investigadores e intérpretes del mundo del partimento, la improvisación, schemata, solfeggio...] | *[https://www.youtube.com/@NikhilHoganShow ''Nikhil Hogan Show'' - Canal de entrevistas con destacados investigadores e intérpretes del mundo del partimento, la improvisación, schemata, solfeggio...] | ||
=Foros de discusión= | =Foros de discusión= | ||
*[https://www.facebook.com/groups/296557367993585 The Art of Schemata: Improvisation, Composition, and Analysis (Grupo de Facebook)] | *[https://www.facebook.com/groups/296557367993585 ''The Art of Schemata: Improvisation, Composition, and Analysis'' (Grupo de Facebook)] | ||
*[https://www.facebook.com/groups/195221033967849 The art of partimento (Grupo de Facebook)] | *[https://www.facebook.com/groups/195221033967849 ''The art of partimento'' (Grupo de Facebook)] | ||
Revisión del 10:36 14 sep 2025
Webs
Publicaciones
Artículos
- Bourne, Janet & Gjerdingen, Robert. Language and Music Share Domain-General Cognitive Functions
- Byros, Vasili. Mozart's Vintage Corelli: The Microstory of a Fonte-Romanesca
- Demeyere, Ewald. Yet Another Galant Schema: The Dominant Pedal Accompanied by a Chromatic Descent
- Gjerdingen, Robert O., Gebrauchs-Formulas
- Gjerdingen, Robert O., Mozart's Obviously Corrupt Minuet
- Mitchell, Nathaniel. The Volta: A Galant Gesture of Culmination | Audio de los ejemplos
- Rabinovitch, Gilad & Slominski, Johnandrew. Towards a Galant Pedagogy: Partimenti and Schemata as Tools in the Pedagogy of Eighteenth-Century Style Improvisation
- Rabinovitch, Gilad & Carter-Enyi, Aaron. Melodic Organization and Sequential Ordering of Galant Schemata: Implications for Eighteenth-Century European Musicianship
- Rabinovitch, Gilad. Reimagining Historical Improvisation: An Analysis of Robert Levin’s Fantasy on Themes by W. A. Mozart, October 29, 2012
- Rabinovitch, Gilad. Reimagining Fauré’s Harmony
- Rice, John A., Climbing Monte Romanesca: Eighteenth-Century Composers in Search of the Sublime
- Rice, John A., Mozart's Use of Galant Voice-Leading Schemata (with an analysis of the quartet from Idomeneo, "Andrò ramingo e solo")
- Sánchez-Kisielewska, Olga. Interactions between Topics and Schemata: The Case of the Sacred Romanesca
- Sanguinetti, Giorgio. La scala come modello di composizione
Tesis
- Alegre, Roberto Cornacchioni. Entre notação e improviso: teoria e prática nos partimenti de Giovanni Furno (1750-1837)
- Jayasuriya, David. Fonte and Monte in the Symphonies of Joseph Haydn
- León Martín, Zoe. Análisis de los schemata de estilo galante en la obra para flauta de los hermanos Pla: estudio de 12 sonatas en trío de Juan Bautista y José Pla
- Martín Entrialgo, Alberto. Galant Schemata in the Works of Isaac Albéniz en The Persistence of Eighteenth-Century Conventions in the Music of Isaac Albéniz, p. 66
- Weiss, Michael. Theoretical and Analytical Reflections on the Role of Robert O. Gjerdingen’s Galant Schemata in Nineteenth-Century Composition
Libros
- Gjerdingen, Robert O. A Classic Turn of Phrase: Music and the Psychology of Convention | Préstamo en Internet Archive
- Gjerdingen, Robert O. Music in the Galant Style
- Yellin, Victor Fell. The Omnibus idea
Conferencias y presentaciones
- Robert Gjerdingen - Building Musical Minds in 18th-Century Naples
- Peter van Tour- Gianbattista Martini's Libro per Accompagnare: Thoroughbass and Counterpoint in Eighteenth-century Bologna
- Robert Gjerdingen - La musica nello stile galante
- Giorgio Sanguinetti - The Art of Partimento
- Olga Sánchez Kisielewska - ¿Para qué nos sirven los esquemas galantes?
Vídeos divulgativos
- Early Music Sources - The Rule of the Octave
- En blanc et noir - Baroque Improvisation: The Circle of Fifths Revisited
- En blanc et noir - A Most Loved Baroque Sequence: The Romanesca... and András Schiff getting into trouble
- Settecentista - Canal con recopilaciones de esquemas y ejemplos comentados, por John A. Rice
- Nikhil Hogan Show - Canal de entrevistas con destacados investigadores e intérpretes del mundo del partimento, la improvisación, schemata, solfeggio...