Diferencia entre revisiones de «Recursos externos»
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| Línea 3: | Línea 3: | ||
*https://partimenti.org | *https://partimenti.org | ||
*[https://viva.pressbooks.pub/openmusictheory/chapter/intro-to-pop-schemas/ Introduction to harmonic schemas in pop music] | *[https://viva.pressbooks.pub/openmusictheory/chapter/intro-to-pop-schemas/ Introduction to harmonic schemas in pop music] | ||
=Publicaciones | =Publicaciones= | ||
==Artículos== | |||
*[https://www.academia.edu/36154658/Mozarts_Vintage_Corelli_The_Microstory_of_a_Fonte_Romanesca Byros, Vasili. Mozart's Vintage Corelli: The Microstory of a Fonte-Romanesca] | *[https://www.academia.edu/36154658/Mozarts_Vintage_Corelli_The_Microstory_of_a_Fonte_Romanesca Byros, Vasili. Mozart's Vintage Corelli: The Microstory of a Fonte-Romanesca] | ||
*[https://www.academia.edu/32429345/Climbing_Monte_Romanesca_Eighteenth_Century_Composers_in_Search_of_the_Sublime Rice, John A., Climbing Monte Romanesca: Eighteenth-Century Composers in Search of the Sublime] | *[https://www.academia.edu/32429345/Climbing_Monte_Romanesca_Eighteenth_Century_Composers_in_Search_of_the_Sublime Rice, John A., Climbing Monte Romanesca: Eighteenth-Century Composers in Search of the Sublime] | ||
| Línea 9: | Línea 10: | ||
*[https://www.academia.edu/37027586/Interactions_between_Topics_and_Schemata_The_Case_of_the_Sacred_Romanesca Sánchez-Kisielewska, Olga. Interactions between Topics and Schemata: The Case of the Sacred Romanesca] | *[https://www.academia.edu/37027586/Interactions_between_Topics_and_Schemata_The_Case_of_the_Sacred_Romanesca Sánchez-Kisielewska, Olga. Interactions between Topics and Schemata: The Case of the Sacred Romanesca] | ||
*[https://www.academia.edu/1346470/La_scala_come_modello_di_composizione Sanguinetti, Giorgio. La scala come modello di composizione] | *[https://www.academia.edu/1346470/La_scala_come_modello_di_composizione Sanguinetti, Giorgio. La scala come modello di composizione] | ||
==Tesis== | |||
*[https://researchspace.auckland.ac.nz/handle/2292/37179?fbclid=IwAR0y9fI7VHgGMnzGGTPYHyPJxI2HhmKWUNov7OYjT7c5M-tmVtDrYIvOR6w Weiss, Michael. Theoretical and Analytical Reflections on the Role of Robert O. Gjerdingen’s Galant Schemata in Nineteenth-Century Composition] | |||
=Conferencias y presentaciones= | =Conferencias y presentaciones= | ||
*[https://www.youtube.com/watch?v=ii6VtnUVsok Robert Gjerdingen - Building Musical Minds in 18th-Century Naples] | *[https://www.youtube.com/watch?v=ii6VtnUVsok Robert Gjerdingen - Building Musical Minds in 18th-Century Naples] | ||
| Línea 14: | Línea 17: | ||
*[https://www.youtube.com/watch?v=W3we1KAjlIA Robert Gjerdingen - La musica nello stile galante] | *[https://www.youtube.com/watch?v=W3we1KAjlIA Robert Gjerdingen - La musica nello stile galante] | ||
*[https://www.youtube.com/watch?v=n5xoXJOba3A Giorgio Sanguinetti - The Art of Partimento] | *[https://www.youtube.com/watch?v=n5xoXJOba3A Giorgio Sanguinetti - The Art of Partimento] | ||
=Vídeos divulgativos= | |||
*[https://www.youtube.com/watch?v=uhKXhnT9NJs Early Music Sources - The Rule of the Octave] | *[https://www.youtube.com/watch?v=uhKXhnT9NJs Early Music Sources - The Rule of the Octave] | ||
Revisión del 19:58 4 nov 2022
Webs
Publicaciones
Artículos
- Byros, Vasili. Mozart's Vintage Corelli: The Microstory of a Fonte-Romanesca
- Rice, John A., Climbing Monte Romanesca: Eighteenth-Century Composers in Search of the Sublime
- Rice, John A., Mozart's Use of Galant Voice-Leading Schemata (with an analysis of the quartet from Idomeneo, "Andrò ramingo e solo")
- Sánchez-Kisielewska, Olga. Interactions between Topics and Schemata: The Case of the Sacred Romanesca
- Sanguinetti, Giorgio. La scala come modello di composizione
Tesis
Conferencias y presentaciones
- Robert Gjerdingen - Building Musical Minds in 18th-Century Naples
- Peter van Tour- Gianbattista Martini's "Libro per Accompagnare": Thoroughbass and Counterpoint in Eighteenth-century Bologna
- Robert Gjerdingen - La musica nello stile galante
- Giorgio Sanguinetti - The Art of Partimento