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| Línea 9: | Línea 9: | ||
*[https://mtosmt.org/issues/mto.15.21.3/mto.15.21.3.rabinovitch.html Rabinovitch, Gilad & Slominski, Johnandrew. Towards a Galant Pedagogy: Partimenti and Schemata as Tools in the Pedagogy of Eighteenth-Century Style Improvisation] | *[https://mtosmt.org/issues/mto.15.21.3/mto.15.21.3.rabinovitch.html Rabinovitch, Gilad & Slominski, Johnandrew. Towards a Galant Pedagogy: Partimenti and Schemata as Tools in the Pedagogy of Eighteenth-Century Style Improvisation] | ||
*[https://www.academia.edu/36154658/Mozarts_Vintage_Corelli_The_Microstory_of_a_Fonte_Romanesca Byros, Vasili. Mozart's Vintage Corelli: The Microstory of a Fonte-Romanesca] | *[https://www.academia.edu/36154658/Mozarts_Vintage_Corelli_The_Microstory_of_a_Fonte_Romanesca Byros, Vasili. Mozart's Vintage Corelli: The Microstory of a Fonte-Romanesca] | ||
*[https://academic.oup.com/mts/article/42/2/280/5908009?guestAccessKey=dee58f08-094c-4a80-a468-8a9002767295 Mitchell, Nathaniel. The Volta: A Galant Gesture of Culmination] | [https://www.natethetheorist.com/research/volta Audio de los ejemplos] | |||
*[https://www.academia.edu/32429345/Climbing_Monte_Romanesca_Eighteenth_Century_Composers_in_Search_of_the_Sublime Rice, John A., Climbing Monte Romanesca: Eighteenth-Century Composers in Search of the Sublime] | *[https://www.academia.edu/32429345/Climbing_Monte_Romanesca_Eighteenth_Century_Composers_in_Search_of_the_Sublime Rice, John A., Climbing Monte Romanesca: Eighteenth-Century Composers in Search of the Sublime] | ||
*[https://www.academia.edu/24564986/Mozarts_Use_of_Galant_Voice_Leading_Schemata_with_an_analysis_of_the_quartet_from_Idomeneo_Andr%C3%B2_ramingo_e_solo_ Rice, John A., Mozart's Use of Galant Voice-Leading Schemata (with an analysis of the quartet from Idomeneo, "Andrò ramingo e solo")] | *[https://www.academia.edu/24564986/Mozarts_Use_of_Galant_Voice_Leading_Schemata_with_an_analysis_of_the_quartet_from_Idomeneo_Andr%C3%B2_ramingo_e_solo_ Rice, John A., Mozart's Use of Galant Voice-Leading Schemata (with an analysis of the quartet from Idomeneo, "Andrò ramingo e solo")] | ||
| Línea 18: | Línea 19: | ||
*[https://researchspace.auckland.ac.nz/handle/2292/37179?fbclid=IwAR0y9fI7VHgGMnzGGTPYHyPJxI2HhmKWUNov7OYjT7c5M-tmVtDrYIvOR6w Weiss, Michael. Theoretical and Analytical Reflections on the Role of Robert O. Gjerdingen’s Galant Schemata in Nineteenth-Century Composition] | *[https://researchspace.auckland.ac.nz/handle/2292/37179?fbclid=IwAR0y9fI7VHgGMnzGGTPYHyPJxI2HhmKWUNov7OYjT7c5M-tmVtDrYIvOR6w Weiss, Michael. Theoretical and Analytical Reflections on the Role of Robert O. Gjerdingen’s Galant Schemata in Nineteenth-Century Composition] | ||
==Libros== | ==Libros== | ||
*[https://www.academia.edu/11392871/A_Classic_Turn_of_Phrase_Music_and_the_Psychology_of_Convention Gjerdingen, Robert O. A Classic Turn of Phrase: Music and the Psychology of Convention]|[https://archive.org/details/classicturnofphr00gjer Préstamo en Internet Archive] | *[https://www.academia.edu/11392871/A_Classic_Turn_of_Phrase_Music_and_the_Psychology_of_Convention Gjerdingen, Robert O. A Classic Turn of Phrase: Music and the Psychology of Convention] | [https://archive.org/details/classicturnofphr00gjer Préstamo en Internet Archive] | ||
=Conferencias y presentaciones= | =Conferencias y presentaciones= | ||
*[https://www.youtube.com/watch?v=ii6VtnUVsok Robert Gjerdingen - Building Musical Minds in 18th-Century Naples] | *[https://www.youtube.com/watch?v=ii6VtnUVsok Robert Gjerdingen - Building Musical Minds in 18th-Century Naples] | ||
Revisión del 11:03 31 mar 2023
Webs
Publicaciones
Artículos
- Bourne, Janet & Gjerdingen, Robert. Language and Music Share Domain-General Cognitive Functions
- Gjerdingen, Robert O., Gebrauchs-Formulas
- Rabinovitch, Gilad & Slominski, Johnandrew. Towards a Galant Pedagogy: Partimenti and Schemata as Tools in the Pedagogy of Eighteenth-Century Style Improvisation
- Byros, Vasili. Mozart's Vintage Corelli: The Microstory of a Fonte-Romanesca
- Mitchell, Nathaniel. The Volta: A Galant Gesture of Culmination | Audio de los ejemplos
- Rice, John A., Climbing Monte Romanesca: Eighteenth-Century Composers in Search of the Sublime
- Rice, John A., Mozart's Use of Galant Voice-Leading Schemata (with an analysis of the quartet from Idomeneo, "Andrò ramingo e solo")
- Sánchez-Kisielewska, Olga. Interactions between Topics and Schemata: The Case of the Sacred Romanesca
- Sanguinetti, Giorgio. La scala come modello di composizione
Tesis
- Alegre, Roberto Cornacchioni. Entre notação e improviso: teoria e prática nos partimenti de Giovanni Furno (1750-1837)
- León Martín, Zoe. Análisis de los schemata de estilo galante en la obra para flauta de los hermanos Pla: estudio de 12 sonatas en trío de Juan Bautista y José Pla
- Weiss, Michael. Theoretical and Analytical Reflections on the Role of Robert O. Gjerdingen’s Galant Schemata in Nineteenth-Century Composition
Libros
- Gjerdingen, Robert O. A Classic Turn of Phrase: Music and the Psychology of Convention | Préstamo en Internet Archive
Conferencias y presentaciones
- Robert Gjerdingen - Building Musical Minds in 18th-Century Naples
- Peter van Tour- Gianbattista Martini's "Libro per Accompagnare": Thoroughbass and Counterpoint in Eighteenth-century Bologna
- Robert Gjerdingen - La musica nello stile galante
- Giorgio Sanguinetti - The Art of Partimento