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(Página creada con «*[https://essaysonmusic.com/category/schemata Essays on music: Schemata] *https://partimenti.org *[https://viva.pressbooks.pub/openmusictheory/chapter/intro-to-pop-schemas/ Introduction to harmonic schemas in pop music]») |
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=Webs= | |||
*[https://essaysonmusic.com/category/schemata Essays on music: Schemata] | *[https://essaysonmusic.com/category/schemata Essays on music: Schemata] | ||
*https://partimenti.org | *https://partimenti.org | ||
*[https://viva.pressbooks.pub/openmusictheory/chapter/intro-to-pop-schemas/ Introduction to harmonic schemas in pop music] | *[https://viva.pressbooks.pub/openmusictheory/chapter/intro-to-pop-schemas/ Introduction to harmonic schemas in pop music] | ||
=Publicaciones= | |||
==Artículos== | |||
*[https://mtosmt.org/issues/mto.15.21.2/mto.15.21.2.gjerdingen_bourne.html Bourne, Janet & Gjerdingen, Robert. Language and Music Share Domain-General Cognitive Functions] | |||
*[https://www.academia.edu/36154658/Mozarts_Vintage_Corelli_The_Microstory_of_a_Fonte_Romanesca Byros, Vasili. Mozart's Vintage Corelli: The Microstory of a Fonte-Romanesca] | |||
*[https://www.cambridge.org/core/journals/eighteenth-century-music/article/yet-another-galant-schema-the-dominant-pedal-accompanied-by-a-chromatic-descent/8F9F49F2BDEC988CF6E0C246D90982D8#article Demeyere, Ewald. Yet Another Galant Schema: The Dominant Pedal Accompanied by a Chromatic Descent] | |||
*[https://www.academia.edu/53427968/Gebrauchs_Formulas Gjerdingen, Robert O., Gebrauchs-Formulas] | |||
*[https://www.academia.edu/86914115/MozartsObviouslyCorruptMinuet Gjerdingen, Robert O., Mozart's Obviously Corrupt Minuet] | |||
*[https://academic.oup.com/mts/article/42/2/280/5908009?guestAccessKey=dee58f08-094c-4a80-a468-8a9002767295 Mitchell, Nathaniel. The Volta: A Galant Gesture of Culmination] | [https://www.natethetheorist.com/research/volta Audio de los ejemplos] | |||
*[https://mtosmt.org/issues/mto.15.21.3/mto.15.21.3.rabinovitch.html Rabinovitch, Gilad & Slominski, Johnandrew. Towards a Galant Pedagogy: Partimenti and Schemata as Tools in the Pedagogy of Eighteenth-Century Style Improvisation] | |||
*[https://mtosmt.org/issues/mto.24.30.1/mto.24.30.1.rabinovitch_carter-enyi.html Rabinovitch, Gilad & Carter-Enyi, Aaron. Melodic Organization and Sequential Ordering of Galant Schemata: Implications for Eighteenth-Century European Musicianship] | |||
*[https://mtosmt.org/issues/mto.20.26.2/mto.20.26.2.rabinovitch.html Rabinovitch, Gilad. Reimagining Historical Improvisation: An Analysis of Robert Levin’s Fantasy on Themes by W. A. Mozart, October 29, 2012] | |||
*[https://www.esm.rochester.edu/integral/36-2023/rabinovitch/ Rabinovitch, Gilad. Reimagining Fauré’s Harmony] | |||
*[https://www.academia.edu/32429345/Climbing_Monte_Romanesca_Eighteenth_Century_Composers_in_Search_of_the_Sublime Rice, John A., Climbing Monte Romanesca: Eighteenth-Century Composers in Search of the Sublime] | |||
*[https://www.academia.edu/24564986/Mozarts_Use_of_Galant_Voice_Leading_Schemata_with_an_analysis_of_the_quartet_from_Idomeneo_Andr%C3%B2_ramingo_e_solo_ Rice, John A., Mozart's Use of Galant Voice-Leading Schemata (with an analysis of the quartet from Idomeneo, "Andrò ramingo e solo")] | |||
*[https://www.academia.edu/37027586/Interactions_between_Topics_and_Schemata_The_Case_of_the_Sacred_Romanesca Sánchez-Kisielewska, Olga. Interactions between Topics and Schemata: The Case of the Sacred Romanesca] | |||
*[https://www.academia.edu/1346470/La_scala_come_modello_di_composizione Sanguinetti, Giorgio. La scala come modello di composizione] | |||
==Tesis== | |||
*[https://www.teses.usp.br/teses/disponiveis/27/27157/tde-12012023-161938/pt-br.php?fbclid=IwAR2u0oUbV--qPiuUzECy4qm20lW0WMe8prmm-WL4JYOLfiHBfyrn6fib5ww Alegre, Roberto Cornacchioni. Entre notação e improviso: teoria e prática nos partimenti de Giovanni Furno (1750-1837)] | |||
*[https://eprints.soton.ac.uk/413462/1/LIBARY_COPY_David_Jayasuriya_PhD_Thesis.pdf?fbclid=IwAR2f-3MkYKrn7CWaUyx8R6HXGStz28Ae4cKmJFUnfjDN4CIHzNI-lLONO74 Jayasuriya, David. Fonte and Monte in the Symphonies of Joseph Haydn] | |||
*[https://uvadoc.uva.es/handle/10324/25272 León Martín, Zoe. Análisis de los schemata de estilo galante en la obra para flauta de los hermanos Pla: estudio de 12 sonatas en trío de Juan Bautista y José Pla] | |||
*[https://eprints.soton.ac.uk/471889/1/PhD_Thesis_Alberto_Martin_Entrialgo_Library_Copy.pdf Martín Entrialgo, Alberto. "Galant Schemata in the Works of Isaac Albéniz" en The Persistence of Eighteenth-Century Conventions in the Music of Isaac Albéniz, p. 66] | |||
*[https://researchspace.auckland.ac.nz/handle/2292/37179?fbclid=IwAR0y9fI7VHgGMnzGGTPYHyPJxI2HhmKWUNov7OYjT7c5M-tmVtDrYIvOR6w Weiss, Michael. Theoretical and Analytical Reflections on the Role of Robert O. Gjerdingen’s Galant Schemata in Nineteenth-Century Composition] | |||
==Libros== | |||
*[https://www.academia.edu/11392871/A_Classic_Turn_of_Phrase_Music_and_the_Psychology_of_Convention Gjerdingen, Robert O. A Classic Turn of Phrase: Music and the Psychology of Convention] | [https://archive.org/details/classicturnofphr00gjer Préstamo en Internet Archive] | |||
*[https://archive.org/details/musicingalantsty0000gjer/page/n5/mode/2up Gjerdingen, Robert O. Music in the Galant Style] | |||
=Conferencias y presentaciones= | |||
*[https://www.youtube.com/watch?v=ii6VtnUVsok Robert Gjerdingen - Building Musical Minds in 18th-Century Naples] | |||
*[https://www.youtube.com/watch?v=KeIkQlA0_M8 Peter van Tour- Gianbattista Martini's "Libro per Accompagnare": Thoroughbass and Counterpoint in Eighteenth-century Bologna] | |||
*[https://www.youtube.com/watch?v=W3we1KAjlIA Robert Gjerdingen - La musica nello stile galante] | |||
*[https://www.youtube.com/watch?v=n5xoXJOba3A Giorgio Sanguinetti - The Art of Partimento] | |||
=Vídeos divulgativos= | |||
*[https://www.youtube.com/watch?v=uhKXhnT9NJs Early Music Sources - The Rule of the Octave] | |||
*[https://www.youtube.com/watch?v=KxAqEvW8pi En blanc et noir - Baroque Improvisation: The Circle of Fifths Revisited] | |||
*[https://www.youtube.com/watch?v=Nq1WCblU_rg En blanc et noir - A Most Loved Baroque Sequence: The Romanesca... and András Schiff getting into trouble] | |||
*[https://www.youtube.com/@settecentista8469 Settecentista - Canal con recopilaciones de esquemas y ejemplos comentados, por John A. Rice] | |||
*[https://www.youtube.com/@NikhilHoganShow Nikhil Hogan Show - Canal de entrevistas con destacados investigadores e intérpretes del mundo del partimento, la improvisación, schemata, solfeggio...] | |||
=Foros de discusión= | |||
*[https://www.facebook.com/groups/296557367993585 The Art of Schemata: Improvisation, Composition, and Analysis (Grupo de Facebook)] | |||
*[https://www.facebook.com/groups/195221033967849 The art of partimento (Grupo de Facebook)] | |||
Revisión actual del 11:41 8 may 2024
Webs[editar | editar código]
Publicaciones[editar | editar código]
Artículos[editar | editar código]
- Bourne, Janet & Gjerdingen, Robert. Language and Music Share Domain-General Cognitive Functions
- Byros, Vasili. Mozart's Vintage Corelli: The Microstory of a Fonte-Romanesca
- Demeyere, Ewald. Yet Another Galant Schema: The Dominant Pedal Accompanied by a Chromatic Descent
- Gjerdingen, Robert O., Gebrauchs-Formulas
- Gjerdingen, Robert O., Mozart's Obviously Corrupt Minuet
- Mitchell, Nathaniel. The Volta: A Galant Gesture of Culmination | Audio de los ejemplos
- Rabinovitch, Gilad & Slominski, Johnandrew. Towards a Galant Pedagogy: Partimenti and Schemata as Tools in the Pedagogy of Eighteenth-Century Style Improvisation
- Rabinovitch, Gilad & Carter-Enyi, Aaron. Melodic Organization and Sequential Ordering of Galant Schemata: Implications for Eighteenth-Century European Musicianship
- Rabinovitch, Gilad. Reimagining Historical Improvisation: An Analysis of Robert Levin’s Fantasy on Themes by W. A. Mozart, October 29, 2012
- Rabinovitch, Gilad. Reimagining Fauré’s Harmony
- Rice, John A., Climbing Monte Romanesca: Eighteenth-Century Composers in Search of the Sublime
- Rice, John A., Mozart's Use of Galant Voice-Leading Schemata (with an analysis of the quartet from Idomeneo, "Andrò ramingo e solo")
- Sánchez-Kisielewska, Olga. Interactions between Topics and Schemata: The Case of the Sacred Romanesca
- Sanguinetti, Giorgio. La scala come modello di composizione
Tesis[editar | editar código]
- Alegre, Roberto Cornacchioni. Entre notação e improviso: teoria e prática nos partimenti de Giovanni Furno (1750-1837)
- Jayasuriya, David. Fonte and Monte in the Symphonies of Joseph Haydn
- León Martín, Zoe. Análisis de los schemata de estilo galante en la obra para flauta de los hermanos Pla: estudio de 12 sonatas en trío de Juan Bautista y José Pla
- Martín Entrialgo, Alberto. "Galant Schemata in the Works of Isaac Albéniz" en The Persistence of Eighteenth-Century Conventions in the Music of Isaac Albéniz, p. 66
- Weiss, Michael. Theoretical and Analytical Reflections on the Role of Robert O. Gjerdingen’s Galant Schemata in Nineteenth-Century Composition
Libros[editar | editar código]
- Gjerdingen, Robert O. A Classic Turn of Phrase: Music and the Psychology of Convention | Préstamo en Internet Archive
- Gjerdingen, Robert O. Music in the Galant Style
Conferencias y presentaciones[editar | editar código]
- Robert Gjerdingen - Building Musical Minds in 18th-Century Naples
- Peter van Tour- Gianbattista Martini's "Libro per Accompagnare": Thoroughbass and Counterpoint in Eighteenth-century Bologna
- Robert Gjerdingen - La musica nello stile galante
- Giorgio Sanguinetti - The Art of Partimento
Vídeos divulgativos[editar | editar código]
- Early Music Sources - The Rule of the Octave
- En blanc et noir - Baroque Improvisation: The Circle of Fifths Revisited
- En blanc et noir - A Most Loved Baroque Sequence: The Romanesca... and András Schiff getting into trouble
- Settecentista - Canal con recopilaciones de esquemas y ejemplos comentados, por John A. Rice
- Nikhil Hogan Show - Canal de entrevistas con destacados investigadores e intérpretes del mundo del partimento, la improvisación, schemata, solfeggio...